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5 motivi per acquistare i nostri puzzle d'arte
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Price range: 19,99€ through 25,00€
Price range: 19,99€ through 25,00€
The Monet Water Lilies puzzle depicts one of the most beautiful and sought-after subjects from Claude Monet’s water lily series. The play of light, the brilliant colors, and the intensity of the brushstrokes make this art puzzle a true masterpiece to complete and hang in your home: a true work of art.
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Nel frattempo, ti suggeriamo alcuni puzzle d’arte che potrebbero piacerti!
The Monet Water Lilies puzzle is a wonderful way to discover the emotions that only an Impressionist work of art can evoke.
For lovers of nature, flowers, and those seeking inner peace, this puzzle is for you.
The calm water, the wonder of these flowers and the bright colours make these Monet paintings unique and truly moving.
The 1000-piece Monet Water Lilies puzzle from Bluebird is a beautiful impressionist art puzzle.
The subject is highly sought after and we offer it in the classic vertical version.
The puzzle’s colors are vivid and very faithful to the original painting, and the details and printing are very accurate. The puzzle pieces are thick and sturdy, and fit together well.
 | Number of pieces 1000 |  | Brand Bluebird |
 | Puzzle dimensions (cm) 69 x 47.8 |  | Box dimensions (cm) 33 x 23 x 4 |
Elegant box
bright colors
Famous work of art
passion flowers
1000 piece puzzle
Standard grid
The 1000-piece Monet Nymphs panoramic puzzle from Eurographics is a beautiful impressionist art puzzle.
The subject is highly sought after and we offer it in the exclusive Eurographics edition.
The puzzle’s colors are vivid and very faithful to the original painting, and the details and printing are very accurate. The puzzle pieces are thick and sturdy, and fit together perfectly.
| Number of pieces 1000 | | Brand Eurographics |
| Puzzle dimensions (cm) 99 x 33 | | Box dimensions (cm) 35 x 13 x 9 |
Well finished box
Wonderful gift idea
Famous work
Bright colors
1000 pieces
Standard grid
The true and ultimate meaning of “ en plein air ” painting, which Monet had practiced throughout his life, finds its full realization and its ideal culmination in the choice to paint that extraordinary work that he himself constructed, invented and made harmonious and pictorial, the garden of Giverny .
Precisely by immersing himself in that imagined and designed space , in that enclosed paradise of his artistic imagination, Monet managed to perfectly integrate a physical and real place with his painting, developing the natural subject to be portrayed before the painting itself was created.
This operation, which appears to be entirely intellectual, actually contains the poetic and ideal essence of all of Monet’s work, aimed at a continuous search for fusion with the elusive beauty of nature .
Monet dedicated the last twenty-nine years of his life to painting the famous Water Lilies, two hundred and fifty pictorial variations on a single, poetic theme, which marked the artist’s creative and expressive peak and his official entry into the new century.
In the summer of 1897, Monet invited Maurice Guillemot, a journalist from the Revue Illustrée, to his home in Giverny to document the beginning of this extraordinary series. The journalist described the painter painting on his boat in the middle of his water garden, moving from one canvas to another as the hours passed.
Monet’s Water Lilies is a series of approximately 250 oil paintings by the famous Impressionist painter Claude Monet . In this grandiose work, the French painter depicts his flower garden in his home in Giverny .
To think that this subject was not essential to Monet’s artistic development is a grave mistake. In fact, Monet’s “Water Lilies” was a subject that monopolized his artistic production in the last thirty years of his life . Furthermore, the lighting effects are the greatest achievement Claude Monet ever achieved, especially considering that many of the works were painted while Monet was suffering from cataracts.
In fact, the Water Lilies project was born as a natural consequence of the botanical transformation of the garden of the Giverny estate, which Monet had carried out with great care and passion.
Furthermore, for Monet, gardening was in keeping with his chromatic and pictorial sensibility and his artistic culture. The colorful flowerbeds, the numerous floral species, the wisteria, the irises, the hedges, the lawn, the shrubs with their shady branches and the famous poplars were the elements of a harmonious and impressionistic composition.
In fact, the creation of works with a vegetal character was perfectly constituted by a “ blotchy effect ” of bright and luminous colours.
However, it was the water lily pond, built on land adjacent to the villa’s garden, beyond the railroad tracks, that particularly stimulated Monet’s pictorial imagination and study of “aquatic” composition. For this reason, in addition to the water lilies floating on the pond, Monet planted weeping willows and exotic plants all around it, even building a small bridge typical of Japanese gardens.
Light was the most important element for the Impressionists. It was the fundamental variable in the interpretation of nature and reality and in defining the atmospheric effect in pictorial composition.
Furthermore, painting directly from life, in the open air and faced with the changing nature of the subject, the Impressionists felt the need to use a new palette . The colors and chromatic tones chosen were unprecedented, such as emerald green, cadmium yellow, zinc yellow, and ultramarine blue.
The use of these synthetic oil colours , widespread between 1840 and 1860 and available in practical, easily transportable tubes , had further encouraged interest in the rendering of the multifaceted instantaneity of the image and of sunlight.
However, Monet thought that these colours were too greasy and often diluted them with water or squeezed them onto absorbent paper before using them to extract the oil.
Monet’s painting technique essentially revolves around varying degrees of color saturation , that is, the contrast between a luminous, transparent brushstroke and another that is opaque and thick. The thin layers of color appear luminous through the white primer of the canvas, to the point that the grain remains visible.
Furthermore, Monet’s works demonstrate complete adherence to contemporary optical theories of the juxtaposition of complementary colours , such as, for example, Poppy Field near Giverny , 1885, which is entirely based on the symmetrical alternation of the complementary chromatic tones of red and green.
Finally, the final chapter in Giverny, dedicated to the picturesque garden and the evocative water lily pond, will bring Monet’s pictorial process to full maturity. Indeed, during this period, he reached the pinnacle of his form, consisting of free, abstract, and timeless brushstrokes.
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hai una vera passione per l'arte!
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Ecco uno sconto del 10% per il tuo prossimo capolavoro! ✨
Original price was: 49,99€.45,00€Current price is: 45,00€.
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