Additional information

Numero pezzi

Marca

Atmosfera

Artista

Occasione

Museo d'arte

Difficoltà

Dimensioni puzzle

73.7 x 50.8 cm

Dimensioni scatola

33 x 25 x 4.5 cm

EAN

9780764942174

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Detroit Industry Murals – 1000 piece puzzle

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Discover the style of contemporary art and challenge yourself with one of the most beautiful American art puzzles Detroit Industry Murals by Diego Riviera from 1000 puzzles.
Puzzle Art thanks to the new splendid edition of the brand Pomegranate Communications Inc. is pleased to offer you this art puzzle.

The Murals by the Mexican artist , husband of Frida Kahlo, made in are a series of frescoes by the Mexican artist executed in the city of Detroit.
The colors of the puzzle are very bright and the details are extremely accurate and refined.

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Puzzle Features

Diego Riviera’s Detroit Industry Murals puzzle is a stunning example of contemporary art and a wonderful way to discover the history of the industrial city of Detroit.

Diego Rivera’s Murals, created between 1932 and 1933, are a series of frescoes by the Mexican artist created in the city of Detroit.
The series consists of twenty-seven panels depicting industry at the Ford Motor Company in Detroit surrounding the interior Rivera Court of the Detroit Institute of Arts.

The two main panels on the north and south walls depict workers at Ford Motor Company’s River Rouge plant.
The other panels instead depict the progress made in various scientific fields, including medicine and biology.

The Detroit Industry Murals Puzzle in Detail

The 1000-piece Detroit Industry Murals puzzle from Pomegranate is a stunning example of a contemporary art puzzle and an illustration of the relationship between art and business in the United States.
The subject is very rare and particularly pleasant in its execution.
The colors of the puzzle are very bright and the details are extremely accurate and refined. The puzzle pieces are sturdy and fit together well.

Number of Puzzle PiecesNumber of pieces
1000
Puzzle BrandsBrand
Pomegranate
Puzzle DimensionsPuzzle dimensions (cm)
73.7 x 50.8
Puzzle Box DimensionsBox dimensions (cm)
33 x 25 x 4.5

Well finished box
Wonderful gift idea

Masterpiece of art
Challenge for enthusiasts

1000 pieces
Artisan grill

Description of the artwork

The Detroit Industry Murals, created between 1932 and 1933, are a series of frescoes by Mexican artist Diego Rivera.
The series consists of twenty-seven panels depicting industry at the Ford Motor Company in Detroit . Together, they surround the interior of Rivera Court at the Detroit Institute of Arts. Rivera considered them his most successful work.

The two main panels on the north and south walls depict workers at Ford Motor Company’s River Rouge plant.
Other panels depict advances in various scientific fields, such as medicine and new technologies. The series of murals, taken as a whole, expresses the idea that all actions and ideas are one.
In 1932, Wilhelm Valentiner , director of the Detroit Institute of Art, commissioned Mexican artist Diego Rivera to paint 27 murals depicting Detroit’s industries in the museum’s inner courtyard. Rivera was chosen for the project because he had just completed a mural at the California School of Fine Arts (now the San Francisco Art Institute) that showcased his painting skill and interest in modern American industrial culture.

In fact, at the onset of the Depression, Diego Rivera was commissioned by Edsel Ford to create the series of murals in the gallery at the Detroit Institute of Arts. Rivera’s Detroit Industry murals are one of the greatest treasures in the United States.
When Mexican artist Diego Rivera arrived in Detroit in 1932 to paint these walls, the city was a major industrial center. For this reason, it was one of the cities hardest hit by the Great Depression. Industrial production and the workforce were a third of what they had been before the Crash of 1929.

Rivera arrived in Detroit just days after a notorious hunger march in which thousands of unemployed workers marched from downtown Detroit to the gates of the Ford Motor Company River Rouge plant to demand work. Armed Ford security guards encountered them, panicked, and shot at the protesters, killing six people .
This confrontation became known as the Battle of the Overpass. Workers were barred from the Ford factories, but Rivera put them to work in the heart of the museum.

The space he was assigned to paint was aligned on an east/west/north/south axis. Rivera used this architectural orientation symbolically. Indeed, on the east wall , facing the rising sun, beginnings, and new life, he depicted a child cradled in the bulb of a plant, cradled by two plowshares and framed on either side by heavy nudes holding grain and fruit, symbolizing abundant harvests. These panels introduce some of the world’s first agricultural technologies.

North and south walls of the Detroit Industry Murals

The production of the 1932 Ford V-8 at the Ford Motor Company’s River Rouge plant is represented by the two main panels on the north and south walls.
On the north wall , the direction of darkness and the interior of things , Rivera has captured all the processes involved in the assembly of the engine. The blast furnace glows orange and red at extreme temperatures to produce molten steel, which is poured into molds to form ingots that are then ground into sheets.
All the major processes involved in the manufacturing of a car engine, from the construction of the mold in the top left to the final assembly of the engine on the assembly line in the foreground, are carefully rendered with engineering precision.
The artist intertwined the processes through the use of serpentine conveyors and assembly lines. The composition is based on two rows of white milling machines standing like sentinels at the center of the wall, marching in the background toward the blast furnace.

On the south wall , the wall of light, the outside of things, Rivera depicted the car body assembly on the south automotive panel. The parts stamped on the stamping press on the right are then welded to the welding plate at the top center. Surrounding this image are the painting, the upholstery, and the final assembly where the chassis is joined to the body. At the end of the assembly line is a tiny, finished red car.

The only machine that was slightly modified was the stamping press because Rivera saw in it a physical and symbolic resemblance to the famous and feared ancient Aztec statue that was believed to have caused death and destruction when it was unearthed in Mexico City in the 18th century.
It is now known as the representation of Coatlicue, the goddess of creation .

Finally, on the west wall, the direction of sunsets, endings, and final sentences, Rivera painted passenger planes and bombers. Here, the constructive and destructive uses of technology are clearly presented. The panels below the planes depict a dove and a hawk to emphasize the theme.

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