| Numero pezzi | |
|---|---|
| Marca | |
| Atmosfera | |
| Artista | |
| Occasione | |
| Movimenti artistici | |
| Museo d'arte | |
| Dimensioni dell'opera | 131 cm x 175 cm |
| Difficoltà | |
| Dimensioni puzzle | 68 cm x 47 cm |
| Dimensioni scatola | 38 cm x 26.5 cm x 5.5 cm |
| EAN | 594750286690906 |
5 motivi per acquistare i nostri puzzle d'arte
19,99€
19,99€
Out of stock
The Moulin de la Galette Renoir puzzle is the best way to discover, piece by piece, Impressionist art.
In fact, with this splendid puzzle you will discover the great work of Pierre-Auguste Renoir, the Ball at the Moulin de la Galette , a painting created in 1876 and preserved at the Musée d’Orsay in Paris.
The Ball at the Moulin de la Galette is one of Renoir’s best-known works and considered one of the greatest masterpieces of early Impressionism.
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Nel frattempo, ti suggeriamo alcuni puzzle d’arte che potrebbero piacerti!
The Moulin de la Galette Renoir puzzle is one of the most famous and well-known paintings of Impressionist art.
In fact, thanks to this beautiful 1000-piece art puzzle from the D-Toys brand, you can relive all the wonder of the modern art of the French painter Pierre-Auguste Renoir.
The Dance at the Moulin de la Galette is a painting by the French painter Pierre-Auguste Renoir, created in 1876 and preserved at the Musée d’Orsay in Paris.
Le Moulin de la Galette by Renoir is one of the most famous works by the Impressionist painter and is unanimously considered one of the greatest masterpieces of early Impressionism.
The puzzle of the painting Le Moulin de la Galette is the best way to enter piece by piece into the art of the great French master of Modern art.
 | Number of pieces 1000 |  | Brand D-Toys |
 | Puzzle dimensions (cm) 68 x 47 |  | Box dimensions (cm) 38 x 26.5 x 5.5 |
Well finished box
Wonderful gift idea
Sought-after work of art
Bright colors
1000 pieces
Standard grid
Renoir’s painting was initially more inclined towards landscape, as in Claude Monet, but soon moved decisively towards portraiture or, more generally, towards the representation of human subjects admirably inserted into their environment.
In fact, its colors are mobile and brilliant, in a continuous and changing mutual relationship and always sensitive to the infinite filterings that the sunlight undergoes as it passes through the treetops.
Shadows are not black, he repeated, no shadow is black.
It always has a color. Nature only knows colors: the
black and white are not colors.
One of the most perfect and balanced demonstrations of this theory of shadows is found in Renoir’s famous Moulin de la Galette , a painting sketched en plein air and subsequently completed in the studio.
The Moulin de la Galette is a work created in 1876 , it was presented
the following year at the third Impressionist exhibition , the last in which Renoir participated.
The scene portrayed is that of an open-air popular dance set at the Moulin de la Galette, an old abandoned mill located on the heights of Montmartre, the picturesque northern district of Paris .
The name of the place refers to the sweets (galettes in French, precisely) that were offered as a drink included in the entrance fee of 25
cents.
Various figures, both men and women, are seated on chairs and benches among the trees. Some couples dance to the sound of a small orchestra in the background to the left, in an atmosphere of boisterous yet serene joy.
To execute the work, Renoir frequented the Moulin for six months, in order to better understand that small world which has its own typical aspect and, as his brother Edmond recalls, “immersed in the whirlwind of that popular festival”, he rendered the devilish movement with a verve that was stunning.
Renoir’s work at the Moulin de la Galette was painted partly from life (having friends, girlfriends and a few models chosen from among the regulars of the place pose for him) and partly in his studio , where he simply reorganised the sketches he had taken on the spot. The painting is one of the masterpieces of Renoir’s artistic maturity.
Through a new and free use of colour the artist tries to suggest to us not only the sense of movement, which is already very difficult to convey, but even the collective state of mind and the simple joy of a festive afternoon .
In fact, form and colour become one : the former is constructed through the latter which, in turn, takes on a different significance in relation to the contrast between light and shadow and between warm and cold tones.
For example, observing the two dancing couples on the left, you can notice how the girls’ clothes stand out against the men’s clothes due to the different brightness (they are in fact much lighter) which makes them vibrate with colour, consequently defining both the shape of the bodies and the sensation of motion.
Instead, the apparent randomness of the representation hides a careful compositional evaluation, evidently the result of study of the classics. Although there are no established plans (there is no main subject), no character appears isolated, as they are inserted into a specific group (someone dancing, some chatting, some sitting at a table, some looking in a certain direction).
For this reason, the ensemble of these groups, uniformly flooded by the flickering light filtering through the treetops, determines the perspective depth of the entire scene in which, as can be clearly seen, the drawing plays an extremely marginal role.
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