| Numero pezzi | |
|---|---|
| Marca | |
| Atmosfera | |
| Artista | |
| Occasione | |
| Museo d'arte | |
| Dimensioni dell'opera | 70 cm × 89 cm |
| Movimenti artistici | |
| Difficoltà | |
| Dimensioni puzzle | 61 x 45.7 cm |
| Dimensioni scatola | 27 x 22 x 4.5 cm |
| EAN | 9780764986819 |
5 motivi per acquistare i nostri puzzle d'arte
19,99€
19,99€
6 in stock
The Night Café puzzle by Van Gogh is one of the most important subjects of the twentieth-century Dutch master.
In fact, this work represents the emblem of a period of great artistic transformations and innovations.
In fact, the works of this great master are considered the foundations of modern art and the guidelines of the avant-garde movements of the twentieth century.
This is why in Van Gogh’s brushstrokes one can find the strength of emotions and the grandeur of landscapes, which thus become windows into the painter’s soul.
Questo puzzle è momentaneamente esaurito.
Nel frattempo, ti suggeriamo alcuni puzzle d’arte che potrebbero piacerti!
Through the Puzzle Van Gogh’s Night Café you can discover art piece by piece.
In fact, thanks to this beautiful 500-piece art puzzle from the Pomgranate brand, you can experience all the emotional strength and density of the colors of the great master of post-impressionist art: Vincent Van Gogh .
This Van Gogh puzzle is one of the most famous subjects in the history of art and is suitable for both more experienced puzzle builders and beginners thanks to its colors and shapes creating the work The Night Café.
Van Gogh’s Night Café Puzzle is one of the most famous and well-known subjects in the history of art. Indeed, this painting is among the works most beloved by the general public and most studied by critics and experts.
Also through Van Gogh puzzles It is one of the most fun and fascinating ways to discover art piece by piece.
In fact, the works of this great master are considered the foundations of modern art and the guidelines of future expressionist movements.
This is why in Van Gogh ‘s brushstrokes one can find the strength of emotions and the grandeur of landscapes, which thus become windows into the painter’s soul.
 | Number of pieces 500 |  | Brand Pomegranate |
 | Puzzle dimensions (cm) 61 x 45.7 |  | Box dimensions (cm) 27 x 22 x 4.5 |
Well finished box
Wonderful gift idea
Famous work of art
Avant-garde Art
1000 pieces
Standard grid
The painting, executed on industrial canvas, depicts the interior of the café, with a half-curtain door in the central background, presumably leading to more private quarters. Five customers sit at tables along the walls from left to right, and a waiter in a light jacket faces the viewer, standing at one side of a billiard table near the center of the room.
Painted in September 1888 and preserved at the Yale University Art Gallery in New Haven , the painting distances itself from the pleasant side of the café world imagined by the Impressionists, to capture the darker and more anguished moments.
The mirror, which had played such an important role in Manet’s café interiors as an element of animation and magic, is here a dark black surface with sulphurous reflections.
In the impetuous rush of the converging lines, the chair in the foreground seems overwhelmed by the flowing waves of anguish. The empty chair returns in Vincent’s painting as
obsessive metaphor of absence.
Against the blood-red background that evokes the terrible passions of humanity, the bottles seem to huddle together, in the hellish furnace atmosphere that characterizes them.
Distant from the foreground, in a perspective of dizzying speed, a couple appears in the background, a thing among things. The crudeness of the drawing, the interest in objects, and the moral concern recall Vincent’s Dutch works.
In fact, he spoke of it as a work equivalent to the Potato Eaters , to which the light of the lamps refers.
It is the image of the condition of the marginalized, a small but evident reference to the brevity of life, the clock marks the hours of a lonely night.
Perhaps Vincent is remembering here the hourglasses included in the Germans’ memento mori.
The red and green of the walls and ceiling are an oppressive combination and the lamps are sinister with orange and green halos creating the basic mood , as any viewer can verify by looking at it.
The color is thick and adds a surreal, undulating feel to the tabletops, the pool table, and the floor. The viewer is left with a sense of despair and despair. The scene could easily be considered banal and depressing; instead, it is depressing but also terrible.
The scene’s perspective is one of its most powerful effects, according to several critics. It’s the compelling perspective that draws us headlong past empty chairs and tables into hidden depths behind a distant door, an opening resembling the silhouette of the standing figure. Or it’s like a shocking influx of perspective, drawing us, through the converging diagonals of the floorboards and the billiard table, toward the mysterious curtain door beyond.
The five patrons depicted in the scene were described as three drunken, derelict men in a large public room, huddled in sleep or stupor. The café was a nighttime hangout for locals and prostitutes, who are depicted reclining at tables and drinking together in the back of the room.
In vivid, contrasting colors , the ceiling is green, the upper walls red, and the gas-powered ceiling lamps. The paint is applied thickly, with many of the room’s lines leading toward the back door. The perspective looks slightly downward toward the floor, creating a sense of observation from above.
Van Gogh’s Cafe Terrace at Night, which shows outdoor tables, a street scene, and the night sky, was painted in Arles around the same time. It depicts a different café, a larger establishment on the Place du Forum.
Van Gogh wrote many letters to his brother Theo van Gogh, often including details of his latest work. The artist wrote to his brother more than once about the Night Café. In one of his letters, he describes this painting:
I tried to express the terrible passions of humanity through red and green. The room is blood red and dark yellow with a green billiard table in the center; four lemon-yellow lamps with an orange-green glow. Everywhere there is a clash and contrast of the most alien reds and greens, in the figures of the sleeping little hooligans, in the empty, desolate room, in purple and blue. The blood red and yellow-green of the billiard table, for example, contrast with the soft, tender Louis XV green of the counter, on which there is a bouquet of roses. The white clothes of the master of the house, vigilant in a corner of that furnace, become lemon yellow or light green… I tried to express the terrible passions of humanity through red and green. The room is blood red and dark yellow with a green billiard table in the center; four lemon-yellow lamps with an orange-green glow. Everywhere there’s a clash and contrast of the most alien reds and greens, in the figures of the sleeping little hooligans, in the empty, desolate room, in purple and blue. The blood red and yellow-green of the billiard table, for example, contrast with the soft, tender Louis XV green of the bar, on which sits a bouquet of roses. The white robes of the master of the house, vigilant in a corner of that furnace, become lemon yellow or pale green.
The work has been called one of Van Gogh’s masterpieces and one of his most famous.
Unlike typical Impressionist works, the painter does not project a neutral attitude toward the world or an attitude of enjoyment of the beauty of nature or the moment. The painting is an example of Van Gogh’s use of what he called “suggestive color,” or, as he would soon call it, “arbitrary color,” in which the artist infused his works with his emotions, typical of what would later be called Expressionism.
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