Additional information

Numero pezzi

Marca

Atmosfera

Artista

Occasione

Museo d'arte

Dimensioni dell'opera

90.7 cm × 121.6 cm

Difficoltà

Dimensioni puzzle

68 cm x 48 cm

Dimensioni scatola

38 cm x 26.5 cm x 5.5 cm

EAN

4062069383575

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Puzzle The Valorous Téméraire – 1000 pieces

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27,90

27,90

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The puzzle of The Valiant Teméraire is a wonderful example of nineteenth-century English painting.
The ship Téméraire is towed to its final anchorage to be broken up during a symbolic sunset in 1838 after fighting with its 98 guns at the Battle of Trafalgar. This is an oil on canvas painting by William Turner, 90.7 x 121.6 cm, dated 1838–1839 and housed in the National Gallery, London.

 

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Puzzle Features

The puzzle of The Valiant Temeraire is a wonderful example of nineteenth-century English painting.
The ship Téméraire is towed to its final anchorage to be broken up during a symbolic sunset in 1838 after fighting with its 98 guns at the Battle of Trafalgar. This is an oil on canvas painting by William Turner, 90.7 x 121.6 cm, dated 1838–1839 and housed in the National Gallery, London .

The Puzzle The Valiant Temeraire in Detail

The puzzle The Valiant Temeraire by Lais is a wonderful example of English painting by William Turner, dating back to 1838-1839 and preserved in the National Gallery in London .
This is an oil painting on canvas measuring 36 x 48 inches.
The puzzle’s colors are bright, and the details are meticulously crafted . The pieces are thin yet sturdy, and fit together perfectly . This edition truly does justice to the scientific precision so characteristic of the Venetian view painter’s works.

Number of Puzzle PiecesNumber of pieces
1000
Puzzle BrandsBrand
Lais
Puzzle DimensionsPuzzle dimensions (cm)
68×48
Puzzle Box DimensionsBox dimensions (cm)
38 x 26.5 x 5.5
La Valorosa Temeraire

Well finished box
Wonderful gift idea

Rare work of art
Natural colors

1000 pieces
Standard grid

Description of the artwork

The painting depicts HMS Temeraire , one of the last second-rate ships of the line to have played a role in the Battle of Trafalgar . The 98-gun ship is being towed on the Thames by a paddle-wheel steam tug.

When Turner painted this picture, he was at the height of his career, having exhibited for 40 years at the Royal Academy in London. Indeed, his works were famous and renowned throughout Europe. Turner spent much of his life painting on the banks of the Thames, producing many paintings of ships and seaside scenes, both in watercolor and oil.
Turner often made small sketches which he then finished and reproduced in the studio to create his finished paintings.
The painting of the Valiant Teméraire is highly symbolic, in fact Turner, who never saw the ship in person, used considerable pictorial license in giving the canvas great symbolic importance.

Turner was twenty-eight when Britain entered the Napoleonic Wars and “had a strong patriotic streak .” The Temeraire was a ship well-known for its heroic performance at Trafalgar, and its sale by the Admiralty had attracted considerable press coverage, which likely brought the subject to his attention.

La Valorosa Téméraire Luna
La Valorosa Téméraire Rimorchiatore Updraft Pre Smush Original
La Valorosa Téméraire Sole 1
In Turner’s painting of the gallant Teméraire, the ship appears intact and well-defined in its details. However, before being sold to the shipbreaker John Beatson, the ship was in Sheerness Dockyard, and her masts and rigging were removed before the sale and the voyage to the shipbreaker’s yard. All her guns, anchors, and reusable parts had been removed and salvaged for the navy to use as spare parts. As shown in a “prosaic drawing, made on the spot by an experienced observer” (William Beatson, the wrecker’s brother) and turned into a lithograph, the ship was ultimately towed by two tugs, not just one.

The composition of the valiant Teméraire

The composition of The Valiant Teméraire is unusual in that the most significant object, the old warship, is positioned to the left of the painting, where it stands in majestic splendor and almost ghostly colors against a triangle of blue sky and fog that casts it in relief. The beauty of the old ship contrasts with the dirty and blackened tugboat with its tall smokestack, which disturbs the otherwise still surface of the river. Temeraire and the tug passed a small river vessel with its sail barely catching her in the play of light. Another small vessel appears as a white blur further down the river. In the distance, beyond a second tugboat heading toward them, a three-masted ship sits at anchor. Behind Temeraire, a fragment of the Moon casts a beam across the river, symbolizing the beginning of the new industrial age. The end of heroic strength is the painting’s main subject. Indeed, several scholars have suggested that the ship represents the artist himself, with a fulfilled and glorious past but now contemplating his mortality. On the opposite side of the painting, at the same distance as the ship’s main mast, the sun sets over the estuary, its rays extending into the clouds above and across the water’s surface. The red of the clouds is reflected in the river, echoing the color of the tugboat’s smoke. The sunset symbolizes the end of an era.
La Valorosa Téméraire
La Valorosa Temeraire Puzzle Turner 1000 Pezzi Lais 768x768

The story of the brave Téméraire

Turner kept the painting in his studio, which also served as a showroom for buyers, until his death. In 1844, he lent it as part of his reproduction contract to the print publisher J. Hogarth, who exhibited it on his premises.

Around 1848 Turner refused an offer to buy the painting said to be for £5,000, followed by a “blank cheque”, having decided to leave it to the nation, it was evidently usually among the works on display in the studio, and is mentioned by several visitors.

He intended to leave his paintings to the nation , but the terms of his will were unclear and after his death in 1851 his will was contested by relatives, and several years of litigation were only concluded in 1856, when this and a large body of other works entered the collection of the National Gallery .

The painting is in exceptionally good condition, apart from slightly discoloured varnish, and appears never to have received conservation treatment other than the removal of surface dirt in 1945 and a recoating in 1963.
X-ray images reveal that Turner appears to have used a canvas on which he had begun another marine painting, featuring a large sail where the structures above the tug’s deck now stand.

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